Here, Dracula is dealing with issues about an earlier encounter with Doctor Sun and is really angry. Not that he isn't most of the time anyway, but I still wanted to reflect this rage in the warm tones of the scene. Plus, using warmer tones works with the notion that this hi-tech lab is actually in a dungeon environment, mixing the metallic with the organic.
Not much else to add here. Two colour holds, both white and both just for motion lines, were used, and no additional colouring effects added.
This book was written by Marv Wolfman, with artwork by Gene Colan and Tom Palmer, and lettering by John Costanza.
See the original blog post about this project to learn more of the story behind why I'm colouring this issue.