Monday, July 11, 2016

Painting Process: Retro Robot Factory

Here's another in my series of posts where I break down the process for painting one of my robot pieces. As with all of the others in this series, these pieces are painted in Photoshop, 12"x18", 300dpi, in RGB.


I started by laying out the primary figure, building up the composition from that. This was taken from a photo I took of the lovely Monique.


I then sketched in the two figures that would be in the background, the ones that would still be in storage in the facility.



Using those three figures as the base, I then drew out the basic design of the factory/storage facility, including the glass containers for the second and third figures.


I then started developing the design of the primary robot figure. I wanted each one of them to have their own specific design, but I kept the hair the same so they all still had the same retro feel.


Robot designs on the background figures laid out.


Dropping in flat colour layers for the primary figure. Not that the colours here aren't meant to indicate the final colour scheme, but just to separate the various painting layers visually.


Flat colour layers for the second and third robots created.


Flat layers for the background dropped in.


Basic painting on the background and glass containers done. Going with a cool colour palette, which means that the robots themselves should get gradually warmer the closer they are to the viewer.


Basic metal painting on the second and third robots.


Internal lighting effects added to the second and third robots, including showing their lighting reflecting back from the interior of the glass containers they are housed in.


Primary robot figure painted.


Primary robot figure internal lighting added and additional polishing and touchups completed.

The final version can be seen, and prints of it purchased, at my RedBubble gallery.

Friday, April 29, 2016

Painting Process: Robot Constructing Other Robots

This is another in my series of posts where I break down my method for doing my robot painting. As with all of these paintings, this was done in Photoshop, in RGB, 12"x18", at 300dpi.

Starting with a series of photographs of Ember in various poses, I built up this concept of one central robot figure building another robot, with other pieces from other robots surrounding her. I love playing with the notion of constructing and deconstructing my robot figures, and we came up with some good stuff for it during the shoot.


Once that initial layout was done, I then developed the space the robot creator was working in. This is some sort of abandoned arcology or something, probably on an upper floor (there is a slight curvature to the wall/ceiling indicating that it could be just below the top of the building). I filled the space with a variety of old computer hardware as well.


Creating the actual robot designs. I knew I wanted the creator robot be a different style of machine from the other versions she was created, so I went with this more fluid design with no obvious gears or mechanisms within her, while the seated figure more closely resembles my 'standard' designs.


Laying down the flat colour layers to be painted later, first on the robot under construction. As with all of these, the colours here don't represent the final colours to be used during painting, but just serve to visually separate the various layers from each other.


Colour layers for the creator robot and more machinery dropped in.


Remaining colour layers created.


Painting beginning on the deep background. I went with cool colours to give the background real depth, which will indicate that I will go with warm colours in the foreground and on the primary figures.


Remaining setting painted, mostly in neutral shades.


Two unfinished robots painted, going with the same neutral colour scheme.


Remaining background unfinished robot painted, using the same colour scheme.


Creator robot painted. I went with strong reds for her internal lighting, really separating her from the environment, while the neutral tones of the metal still keep her clearly in the same setting.


Robot under construction painting completed. She is a bit warmer than the other robots, pulling her a bit further forward in the painting.


Internal lighting added to the robot under construction. The yellow/orange adds to her warmth, keeping her far forward in the overall composition, while still tying her a bit to the red tones of the robot that is building her.


Final lighting effects and overall polishing completed.

The final version can be seen (and prints, t-shirts, and stickers purchased) on my RedBubble gallery.

Tuesday, April 19, 2016

Another Reflected Robot

I have been utilizing mirrors in some of my recent paintings.


Here we have Brittany in the foreground, with a couple of larger robots (more along the lines of 50's style robots) in the background reflection. I do like a good study in contrasts, especially with the use of colour here.

Prints (and other products featuring this image) can be purchased on my RedBubble gallery. They've been adding in several new products (including a couple of different types of t-shirts), and I've found their quality to be great! So, please, check it out!

In other news, Andronicus should be going back into production soon. I just needed a bit of time to work on some robot ideas (and develop some new ones that should be coming up soon). If you haven't seen my webcomic yet, you should also go and check it out.

Monday, April 4, 2016

Steampunk Gunfighter Robot

Not going to lie, I was watching a lot of Lee Van Cleef movies while painting this.


I don't do many of these steampunk pieces, but I really do enjoy mixing robots into this aesthetic, particularly into the Old West side of it. And Monique is a lot of fun to work with!

Prints of this piece are available to purchase on my RedBubble Gallery. Also, be sure to check out my Facebook page for more stuff.

Monday, March 28, 2016

Reflected Robot

Still on my brief hiatus from Andronicus, doing a few more robot paintings:


This is a piece with Ember, started from a photo of her in front of these floor-to-ceiling mirrors. I decided to blend in some 50's influences as well with the large toy-style robots in the background.

Prints, t-shirts, and other products with this image can be purchased on my RedBubble page.  Also, be sure to check out my Facebook page for more artwork, work-in-progress pieces, and other things.

Tuesday, March 22, 2016

Green and Purple Robots

This may or may not be in another night club, I'm not certain.


This is a new piece with Marie, someone I haven't done anything with for quite a while. I needed to rectify that, as I love working with her, so there should be some more new pieces with her in the coming months.

Prints of this piece can be found for purchase on my RedBubble Gallery. Also, be sure to check out my Facebook page for more stuff!

Monday, March 14, 2016

Painting Process: Gothic Robot Angel

Here's another in my series of posts where I break down the process I use to do one of my robot paintings. As with all of the other ones, this was painted in Photoshop, in RGB, 12"x18", 300dpi.


Starting with the photo of Brittany, I came up with the concept of her being enveloped with massive, almost torn-looking wings, standing up high on a very rickety platform. The more gothic nature of this piece led me away from cityscapes and more toward reflections in water, so I set all of that over a lake or ocean, with two planets in the background. 


Drawing out the robot pattern on Brittany. This piece was going to involve a lot of internal lighting on her, as she needs to be glowing against the very dark setting.


Torn metal wing pattern defined.


Flat colour layers laid down on Brittany. As with all of these pieces, the various colours don't necessarily indicate the colours used in the final painting, but instead just demarcate the various layers.


Flat colour layers for the tower and background laid down.


Planets and sky painted in. Note that no textures or filters are used for any of this, but instead this is all done with traditional hand-painted techniques using a variety of custom brushes, many of which I've made myself over the years.


Water and reflections painted in.


Atmospheric effects and tower painted. I'm really emphasizing the creepy/gothic setting in this one.


Basic painting on Brittany done. It's here that I realized that I didn't want to give her the usual 'glass energy' effects that I've been doing a lot of (using internal light sources all over her body), but rather just have her primary light source being her eyes, spreading that light around with some atmospheric effects. This will really emphasize the gothic quality of the piece.


Right wing and inside of left wing painted.


Outside of left wing painted. This has more modelling on it than the interior parts, as it is reflecting light from off-camera, while the internal parts of the wings will just be covered in the lighting effects from her eyes.


Lighting effects and polishing added. I wanted the sensation of the red lighting being enveloped by the wings, and I think that effect does really come across.

The final piece can be seen (and prints purchased) at my RedBubble Gallery.